Glossary
A B C D E F G H I J K L M O P Q S V
- Adagio
- Quite slow.
- Allegro
- Fast, cheerful.
- Andante
- Moderately slow or walking pace.
- Anthem
- A religious choral composition in English the Protestant equivalent of the motet.
- Aria
- A song for solo voice with orchestral accompaniment, generally expressing intense emotion. Generally found in opera, cantata, and oratorio.
- Arpeggio
- Broken chord in which the individual tones are sounded one after another instead of simultaneously.
- Atonality
- Total abandonment of tonality. Atonal music moves from one level of dissonance to another.
- Ballade
- French poetic form and chanson type with courtly love texts. Also a Romantic genre, especially a lyric piano piece.
- Ballet
- A dance form featuring a staged presentation of group or solo dancing with music, costumes and scenery.
- Baritone
- Male voice of moderately low range.
- Bass
- Male voice of low range.
- BWV
- A way of cataloguing Bach's works, it is an abbreviation of Bach-Werke-Verzeichnis
- Cadenza
- Virtuosic solo passage in the manner of an improvisation, performed near the end of an aria or a movement of a concerto.
- Canon
- Type of composition in which one musical line strictly imitates another at a fixed distance throughout.
- Cantabile
- A singing style.
- Cantata
- A work for solo singers, chorus and instrumentalists based on a lyric or dramatic poetic narrative. It generally consists of several movements including recitatives, arias and ensemble pieces.
- Celesta
- Percussion instrument resembling a miniature upright piano, with tuned metal plates struck by hammers that are operated by a keyboard.
- Chord
- Simultaneous combination of three or more tones. A single block of harmony.
- Coda
- The last section of a piece, usually added to a standard form bringing the music to a close.
- Concerto
- A piece in which an instrument (or ensemble) contrasts with an orchestral ensemble.
- Counterpoint
- The compositional art of combining two or more simultaneous melodic lines. A polyphonic texture.
- Countertenor
- The male voice at alto pitch
- Crescendo
- The dynamic effect of gradually getting louder.
- Decrescendo
- The dynamic effect of gradually getting softer.
- Dissonance
- A combination of tones that sounds discordant and in need of resolution.
- Dolce
- To be played sweetly.
- Duo
- Similar to a duet: simply, a piece written for two performers.
- Encore
- An audience request that the performer(s) repeat a piece or perform another.
- Exposition
- Opening section.
- Falsetto
- Vocal technique whereby men can sing above their normal range.
- Forte
- An Italian term meaning loud.
- Fugue
- Polyphonic form popular in the Baroque era in which one or more themes are developed by imitative counterpoint.
- Gamelan
- Musical ensemble of Java or Bali, usually made up of gongs, chimes, metallophones and drums.
- Glissando
- Rapid slide through pitches of a scale.
- Ground Bass
- A repeating melody, usually in the bass, throughout a vocal or instrumental composition.
- Harmonics
- Individual pure sounds that are part of any musical tone. In string instruments they are produced by lightly touching a vibrating string at a certain point.
- Homophonic
- A texture with a principal melody and accompanying harmony, as opposed to polyphonic.
- Improvisation
- Creation of a musical composition while it is being performed, most commonly seen in Baroque ornamentation, cadenzas of concertos and jazz music.
- Incidental Music
- Music either specifically composed for, or used in, a drama.
- Interlude
- Music usually played between sections of a musical or dramatic work.
- Jig
- A vigorous dance developed in the British Isles and popular as an Irish traditional dance style.
- K.
- A way of cataloguing Mozart's works - the number given to this piece in Ludwig Kochel's catalogue of all Mozart's music.
- Largo
- Broad and slow.
- Leitmotif
- A basic recurring theme, representing a person, object or idea, commonly used in Wagner's operas.
- Libretto
- Text, or script, of an opera.
- Madrigal
- Renaissance secular work originating in Italy for voices, with or without instruments.
- Mazurka
- A type of Polish folk dance.
- Octet
- A group of eight performers - or any piece written for that combination of instruments.
- Oratorio
- An extended work for choir and orchestra, based on a sacred subject or
text
- Orch.
- Abbreviation for 'orchestrated'. Orchestration is the art of arranging music for the orchestra, often from an original piano or chamber score.
- Overture
- A short orchestral work written to either introduce an opera or ballet, or to begin a concert programme.
- Piano Quartet
- A group made up of one piano, one violin, one viola and one cello - or a piece written for that combination of instruments.
- Piano Trio
- A group made up of one piano, one violin and one cello - or a piece written for this combination of instruments.
- Premiere
- The first public performance
- Quartet
- A piece for four instruments, or a group that performs such a piece.
- Quintet
- A piece written for, or group of, five performers - often two violins, two violas and cello (string quintet) or two violins, viola, cello and piano (piano quintet)
- Sonata
- A term given to a three-part piece, normally comprising Exposition, Development and Recapitulation.
- String Quartet
- A group made up of two violins, one viola and one cello - or any piece written for this combination of instruments.
- String Trio
- A group made up of one violin, one viola and one cello - or a piece written for this combination of instruments.
- Suite
- A set of instrumental pieces written to be played in one performance.
- Symphony
- An extended work for orchestra, often divided into several movements.
- Virtuoso
- A truly exceptional musician.