Once in a while, you encounter a musician who makes everything they touch buzz with electricity.
“Any Widmann performance brings whatever he plays kicking and screaming into the present day,” says The Guardian.
As clarinetist, Widmann studied with Gerd Starke in Munich and Charles Neidich at the Juilliard School in New York. He performs regularly with leading world orchestras, such as Gewandhausorchester Leipzig, Orchestra National de France, National Symphony Orchestra Washington, Orchestre symphonique de Montréal and Toronto Symphony Orchestra. He collaborates with conductors such as Daniel Barenboim, Valery Gergiev, Kent Nagano, Sylvain Cambreling, Christoph Eschenbach and Christoph von Dohnányi.
Widmann studied composition with Kay Westermann, Wilfried Hiller and Wolfgang Rihm. His works continue to receive multiple awards such as the prestigious Chamber Music Society of Lincoln Center’s Elise L. Stoeger Prize (2009), the Paul Hindemith Prize in 2001, the Arnold Schönberg Prize by the Vienna Arnold Schönberg Centre and the Deutsches Symphonie-Orchester Berlin (2004) and both the SWR Sinfonieorchester Baden-Baden und Freiburg’s composition award and the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006. Widmann’s compositions are performed regularly by conductors such as Pierre Boulez, Christian Thielemann, Mariss Jansons, Andris Nelsons and Simon Rattle and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris and many others.